Why Kickstarter

Why I’m Running With Kickstarter

There is a paperback version of Memoirs of a Gigolo Omnibus. I mostly put it together through Createspace so I could have a copies to submit for copyrighting. A few people have asked me if I am selling signed copies. I am. But it is ruinously expensive to pay for the books and shipping in advance of sale, so I’m trying something different. I’m throwing the doors open and inviting anyone that wants a copy to help me reach the goal of funding a Kickstarter project. 
I almost didn’t go down this road. Temptation crooked its finger at me last fall, then I dropped the idea after I saw a couple of Kickstarter projects that left me nervous. I’ve met a few writers trolling around twitter and Facebook who have had Kickstarter projects. The one that sticks out the most in my memory is a first time novelist (writing something about fallen angels or vampires – I don’t really remember) who was seeking somewhere around $20k to help her edit and publish her first book. It wasn’t even written. She’d never written anything before. But she had a vision. And tote bags. I love vision and I admire ambition. I’m ambitious. It’s one of the things I like about myself. I’m also tenacious and more than a bit scrappy. Top that with the fact I’m no quitter and I’ve got what it takes to survive the maelstrom that is the publishing world. 
I’m also willing to work like a bitch to get my work out there and never ever have I expected someone to come along and fund my vision for me. So why I am going to Kickstarter and asking for funding? I need capital to pay for books and shipping. I would love to be able to front the cash to pay to have books printed so I can ship them out when I receive funds through Paypal, but I don’t. I also don’t want to buy a whole bunch of books and have them sitting around my house unsold, a constant reminder that madame wasn’t quite as popular as she thought she was. Like a lot of writers I have a day job, but that just helps me with the three basics. I don’t have the money to pay for a bunch of books from Createspace that I may never sell. Kickstarter gives me the opportunity to offer up paperback copies of the Omnibus to whomever wants to buy one.
I like a lot about Kickstarter, but there are a few things that leave me scratching my head. The things I do like are numerous. It’s public, it’s honest, it provides me with a transparent platform to offer up copies of my book in exchange for guaranteed support. What I don’t like is minimal and speaks to my fussiness. I’ve noticed in the fiction offerings there are some pretty out there rewards. $5k to be a named character in a book. $10k to meet the author. I don’t think I’d be comfortable asking for that kind of money or even receiving it. My biggest reward is $25 for two paperbacks and the max I’m seeking for funding is $200. $5 will get you a signed cover postcard and my eternal thanks. This is not huge. $20k to have dinner with me is just weird. (I’d do it for $5K!)
$1 for an electronic copy of one of my books is the low end of what I have on offer. This seems reasonable to me and my costs don’t justify asking for thousands. Granted I’m relying on friends for editing and computer help, I do my own covers, and I think I’m making about five cents and hour return on my time investment. This is a labor of love at the moment. I could ask for $10k or even $20k for professional editing, marketing, computer, and layout design, but I’m not going to do that. In the end I truly believe it’s about the story and not the hype or swag. If the reviews Memoirs has received on Amazon are any indication, then I’ve got something worth reading on my hands. If you’d like a paperback copy please have a look at my Kickstarter project.

Why Kickstarter

Why I’m Running With Kickstarter

There is a paperback version of Memoirs of a Gigolo Omnibus. I mostly put it together through Createspace so I could have a copies to submit for copyrighting. A few people have asked me if I am selling signed copies. I am. But it is ruinously expensive to pay for the books and shipping in advance of sale, so I’m trying something different. I’m throwing the doors open and inviting anyone that wants a copy to help me reach the goal of funding a Kickstarter project. 
I almost didn’t go down this road. Temptation crooked its finger at me last fall, then I dropped the idea after I saw a couple of Kickstarter projects that left me nervous. I’ve met a few writers trolling around twitter and Facebook who have had Kickstarter projects. The one that sticks out the most in my memory is a first time novelist (writing something about fallen angels or vampires – I don’t really remember) who was seeking somewhere around $20k to help her edit and publish her first book. It wasn’t even written. She’d never written anything before. But she had a vision. And tote bags. I love vision and I admire ambition. I’m ambitious. It’s one of the things I like about myself. I’m also tenacious and more than a bit scrappy. Top that with the fact I’m no quitter and I’ve got what it takes to survive the maelstrom that is the publishing world. 
I’m also willing to work like a bitch to get my work out there and never ever have I expected someone to come along and fund my vision for me. So why I am going to Kickstarter and asking for funding? I need capital to pay for books and shipping. I would love to be able to front the cash to pay to have books printed so I can ship them out when I receive funds through Paypal, but I don’t. I also don’t want to buy a whole bunch of books and have them sitting around my house unsold, a constant reminder that madame wasn’t quite as popular as she thought she was. Like a lot of writers I have a day job, but that just helps me with the three basics. I don’t have the money to pay for a bunch of books from Createspace that I may never sell. Kickstarter gives me the opportunity to offer up paperback copies of the Omnibus to whomever wants to buy one.
I like a lot about Kickstarter, but there are a few things that leave me scratching my head. The things I do like are numerous. It’s public, it’s honest, it provides me with a transparent platform to offer up copies of my book in exchange for guaranteed support. What I don’t like is minimal and speaks to my fussiness. I’ve noticed in the fiction offerings there are some pretty out there rewards. $5k to be a named character in a book. $10k to meet the author. I don’t think I’d be comfortable asking for that kind of money or even receiving it. My biggest reward is $25 for two paperbacks and the max I’m seeking for funding is $200. $5 will get you a signed cover postcard and my eternal thanks. This is not huge. $20k to have dinner with me is just weird. (I’d do it for $5K!)
$1 for an electronic copy of one of my books is the low end of what I have on offer. This seems reasonable to me and my costs don’t justify asking for thousands. Granted I’m relying on friends for editing and computer help, I do my own covers, and I think I’m making about five cents and hour return on my time investment. This is a labor of love at the moment. I could ask for $10k or even $20k for professional editing, marketing, computer, and layout design, but I’m not going to do that. In the end I truly believe it’s about the story and not the hype or swag. If the reviews Memoirs has received on Amazon are any indication, then I’ve got something worth reading on my hands. If you’d like a paperback copy please have a look at my Kickstarter project.

What’s Up?

ImageI decided I needed to take a moment, show my blog some attention, and catch up after what was a hectic start of the year.

First off – Sport of Kings was released by Liquid Silver on January 1st.

Second – Volume Four of Memoirs of a Gigolo will be out on February 1st.

A few readers have asked me if there is something else on the horizon. First – thank you. I’d probably be doing this if you weren’t buying my books, but that you keep coming back for more tells me I’m doing something right.

A very very brief glimpse inside of what’s coming up. I have a romance coming out sometime later this spring through TWRP. I have a couple mainstream romances (which are pretty spicy but not erotica) I’m trying to get agented. I have something completely different which I’m working on that will appeal to readers who like mainstream contemporary fantasy. A YA dystopian in which I indulge my love of ancient cultures, mythologies and religions. Finally, after Memoirs I’ll be launching a new serial.

That’s it for the moment. Now I’m back to work for the next couple of days in advance of the launch of Volume Four of Memoirs of a Gigolo.

Fifty Shades of Telling it Like it Is – Meet the Reviewers Part Deux

I’m back with the reviewers for Part Deux of the interview. What do they have to say about self-publishing and the problem of sockpuppetry? Read on to find out.

  • Question #7 – The ease at which writers can self-publish has created a flood of books available for either free or for next to nothing. The filter through which manuscripts passed (i.e. publishers and agents) is no long there. Is this a good thing or a bad thing?

Cat Alley

  • From a writers stand point it is a good thing… from a readers it means more is available and a lot at much cheaper price. But what I am also finding is a lot of editing errors. If we continue this way then the writer has to find good editors. I understand that no one can be a perfect editor, but that is why you have readers before you publish your book. It is a reflecting of you as a writer, take more pride in your work.

DelSheree Gladden

  • I think the good outweighs the bad. Yes, you get the occasional book that is atrocious, but for the most part, you get such a wide variety of stories and voices. I enjoy being able to read good stories and not being told what constitutes a good story by publishers. Sometimes they get it wrong.

PW

  • From a writer’s point of view, the ease of self publishing is good, however, the author needs to take extra care about typos and editing because it can make or bread their book if a reader has to constantly deal with typos. A few don’t matter, but a lot can jar the story. Editing becomes critical, because you want to make sure character names don’t become mixed up, or situations in the storylines get confused.
  • Livia Ellis
  • Question #8 – It seems as if reviews are one of the only ways to separate the unreadable detritus from the true gems. Do you think because of this too much emphasis has been placed on the importance of reviews?

Cat Alley

  • Not at all. I think they are very important, but not as important as your beta readers and your editors. Reviewers only help sell it after.

DelSheree Gladden

  • I think reviews are a great tool in deciding whether or not to take a chance on a new book, but most readers still go with their gut on a book regardless of reviews. Maybe if they see all ones and twos they’ll pass it by, but for the most part, either the book will pique a readers interest enough to buy, or it won’t. Reviews give a reader confidence to purchase a book they’re interested in more than tell them which book to buy in my opinion.

PW

  • I agree with Cat that a beta readers and editors are critical. The only thing a reviewer is going to do is give an opinion of the book, which can help some people decide to read a book or not.
  • Livia Ellis
  • Question #9 – Can you judge a book by it’s cover?

Cat Alley

  • The cover is what always attracts people at the beginning. For me that is the first attraction, then i read the back and if it sounds interesting I get it. It is a lot like meeting a new person. You instantly judge if you want to meet them by there looks, then you introduce and make small talk, if a spark is there you learn more about them.

DelSheree Gladden

  • A great cover definitely helps, but it is by no means a guarantee of quality. Two of the most eye catching covers I’ve seen this year turned out to be the two books I gave the lowest ratings to.

PW

  • Ususally the cover is the first thing to catch a reader’s eye, then the blurb about the book. The blurb will actually be the selling point once the reader picks up/looks at the book after seeing the cover.
  • Livia Ellis
  • Question #10 – There have been a lot of reports in the media recently about bogus “sockpuppet” reviews. Does this activity diminish your status as reviewers or make what you do that much more important?

Cat Alley

  • umm.. I don’t watch the news or really listen to it so I have no clue what a “sockpuppet” reviewer is, but it doesn’t sound good.

DelSheree Gladden

  • I think the quality of the sock puppet reviews show through and don’t convince readers as much as the person posting them hopes they will. When someone is posting dozens and dozens of reviews because they’re being paid for them, not because they actually read the books … well, it’s hard to be that creative and write quality, meaningful reviews. They all start to look the same and readers pick up on that.

PW

  • I think that bogus ‘sockpuppet’ reviews hurt legit reviewers as a reader may not trust them in the future. I also feel that this ultimely hurts the authors, as it may give readers the impression that this is the only way they can get someone to read their book.

Livia Ellis

  • Final Question – Have you ever started to read a book with the intention of reviewing it, and it was so bad you just abandoned it before you wrote it up?

Cat Alley

  • I have always finished it if I have been asked to review it published, might not have been a great review but I have a very hard time just abandoning a book… I always hope that it will get better. The few books I have come across so far that has been very hard to finish have been beta books where I could sit down with the author and discuss reasons why it was hard to read, see if it is something that can be fixed or not. But I have had one beta book I could not finish. I am sure it had nothing to do about the book itself, just was not my cup of tea and I could not relate at all to the characters.

DelSheree Gladden

  • I have a weird compulsion to finish a book no matter how bad it is. There is only one book I started reading in my entire life and did not finish. That was back in high school and it still bugs me. However, I have really wanted to quit reading books. With books I review, I try very hard to find at least a few positive comments, but I do say as nicely as possible what the book’s failings were.

Samantha Truesdale

  • I always finish a book and review it if I have told the author I would do so. In the couple of cases that I didn’t particularly care for the book, I try to leave a constructive review. There is only one book I can think of that I absolutely could not bring myself to finish, and that was the second I’m the Shades of Grey series. Thank you so much for doing this! It has been fun!

PW

  • I always finish a book I get for review. I may not like the book, but try to give some positive remark if possible. If I end up reading an author with two books I don’t like, I just don’t get their books to read. It’s not fair to the author. I have actually not finished a couple of print books because I just could not deal with errors or storyline, but they were not something I was going to be reviewing.

Livia Ellis

  • Final Final Question… anything you’d like to add?

PW

  • This has been fun and I look forward to the blog. Thanks for the questions and getting to meet other reviewers.

Samantha Truesdale

  • Thank you so much for doing this! It has been fun!

DelSheree Gladden

  • Thanks for the fun questions! Can’t wait to see the blog next week!

Cat Alley

  • I want to thank you for taking the time to ask me what I think in general of my process. I can’t wait to see your blog!!

Erotica’s Lost Literary Roots – I Know It When I See It.

Back in 1964 regarding possible obscenity in the film The Lovers, Supreme Court Justice Potter Stewart wrote in his opinion:

I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description [“hard-core pornography”]; and perhaps I could never succeed in intelligibly doing so. But I know it when I see it, and the motion picture involved in this case is not that. [Emphasis added.]

—Justice Potter Stewart, concurring opinion in Jacobellis v. Ohio 378 U.S. 184 (1964), regarding possible obscenity in The Lovers.

I’ve spent better part of a week trying to come up with a way to define where the line between literary erotic and Porn is. Is it the quantity and the quality of the sex? Is it the use of sex within the context of the story? Is it as simple as the fact literary erotic is plot driven and not just descriptions of sex held together in a sort of jello mold of context? I kept going back to what Justice Stewart wrote – I know it when I see it (or read it in this case).

Does it matter that there is a clearly defined difference between the two? I think it does. At least to people like me who are trying to get back to the origins of erotica in their work. The wall I am consistently thrown against is the same: I publish my books under Literature and I’m slammed for having too much sex in my books – I publish my books under Erotica and I’m slammed for the sex not being raunchy enough in my books. There is no single good category for me to classify my books.

My latest release Memoirs of a Gigolo Volume Two has ended up in Books › Gay & Lesbian › Literature & Fiction › Erotica (to be exact). I have a few nits to pick with this. There is a scene of gay sex in the story that is pivotal to understanding the relationship between two of my main characters. But the story as a whole is not a gay erotica. It certainly doesn’t belong in the same category as some of the books it’s lumped in with. The only category that Volume Two really seems to belong in is straight Erotica. But again, I’m getting hit for filing Volume Two in there.

As one reviewer who left a still respectable rating wrote (I’m paraphrasing because I can’t be arsed to look up the review again) “I just don’t get it – there is only one het and a lesbian scene. What’s the point?” The reviewer did make note of the fact my writing was better than most of what was available. I do appreciate that.

From my perspective, there needs to be another category that books like mine can be sorted into. Two subheadings under Erotica. One for Literature one for Porn. Take the confusion out of it. So I’m going to start a petition. Ask Amazon to add two subcategories. One for Literature. One for Porn. Make it clear and easy for everyone to understand what it is I write and what a lot of other people write on both sides of the fence.

What is the solution? I know porn when I see it and I know literary erotica when I see it. I think most people doing the writing know what they’re producing. When I want porn, I go for porn. When I want erotica, I got for erotica. Just to be clear, I’m not bashing porn. It has it’s place in the universe and I respect its right to exist. I am also not implying there is such a thing as good and bad sex (that is wholly in the mind of the person involved). There are subcategories for romance. There should be subcategories for erotica.

Unfortunately I have this tendency to get on my high horse and ride it until my ass cheeks chafe.  But I’d rather try to do something rather than just bitching and moaning for the sake of nothing. So I started a petition. I’m going to get enough people who agree with me and ask them to sign it. Then I’m going to send it to the machine that is Amazon. They’ll probably ignore it, but at least I will have done something. Here is my petition: There is a difference between erotica and porn. Please sign it if you agree with me.

Fifty Shades of Telling it Like it Is – Meet the Reviewers Part One

Your mother loves your book. Your sister, your aunt, your best friend, and that guy that is desperately trying to get you into bed all think you are the next Hemingway. So you publish your book. Then it gets reviewed.  Someone who doesn’t know you and has no vested interest in your happiness, loves your book. Five whole stars from a stranger! Or, to your utter amazement, someone that neither knows nor loves you,  thinks your seven hundred page tome on the joys of accounting, thinks it stinks.Who are these people and where the heck to they get off not loving your book? Meet the reviewers in the first of a two part interview.

Livia Ellis

  • Question 1 – Who are you people? Why do you like making writers cry? Don’t you know we’re entitled to the sort of fame and glory that comes along naturally when we figure out how to self-publish on the internet?

Cat Alley

  • Cat alley avid reader and big mouth…lol. I am a single mother of a 3-year-old boy; I work full time and read every time I get the chance in between. I don’t think I have made a writer cry, ever… or anyone for that matter… at least not in years. The majorities of the writers I have read for deserve all sorts of fame and glory for their work.

Samantha Truesdale

  • Samantha Truesdale. A mom of 2 boys and a total book nerd. I work part time, and I wish there were more hours in the day so I would have more time to read!

DelSheree Gladden

  • DelSheree Gladden…writer, reviewer, reader of just about everything, mom of two very smart and very silly kiddos, married to the most supportive husband ever, and dental hygiene student. That last one is currently eating up the majority of my life!

PW

  • I’m a mom, former active duty Marine and Executive Assistant.

Livia Ellis

  • Question 2 – How and why did you start doing book reviews? I know from my personal experience, the first few times I wrote book reviews was because I was very angry I spent good money on a really terrible book.

Cat Alley

  • I have been a heavy reader for many, many years. Within the last year, I have made close friends with those who are writers. That is when I learned the importance of writing a review on Amazon. I than joined a couple of groups on Facebook where I could beta read and published read/review. For me, it was a way to get free books and help someone at the same time. After doing that for a while and needing a hobby, I decided to start my own blog with my reviews. I have only been doing it for a few months in a blog, but I have been enjoying getting my thoughts out there for people to read…good or tastefully bad.

Livia Ellis

  • I’ve thought about doing reviews, but I’m worried that as a writer there might be a lot of backlash. As writers do, I’ve spent a lot of time reading what’s out there in my genre. I just have two things to say – It’s a Japanese kimono, not a Japanese Komono and a wench is a woman and a winch is used for lifting heavy items. I fear I would just be too mean. How do you keep it nice?

Cat Alley

  • It is hard; I have a very sarcastic voice even when I am trying to be nice. It takes me time. If I don’t like a book and I know the stars are going to be low, I always try to state why they got the stars they did without giving away anything about the story line, I don’t like spoilers. I have given zero stars before. I have also given three stars, because I didn’t like its contents … even though the story was OK. And if I see a grammar issue, I will point it out, because they have to be big for me to even notice them… so I point them out…
  • Lol… and that is funny…about the wench…

DelSheree Gladden

  • I actually started doing book reviews after reading Erin Morgenstern’s “The Night Circus.” It was such a fantastic book, I had to tell people about it. My review blog started out as just a place for me to talk about books I was reading, then it became a serious effort a few months later when review request started coming in.

Samantha Truesdale

  • I have always loved to read. In elementary school, while other kids were playing on the playground, I was in the corner with a book. In January of this year, I had a baby and am now home all the time. I used reading as a way to fill my time and decided that if I was going to spend so much time reading, I should look into doing reviews. I found that there was not much to it so I created a blog.
    I am really enjoying this new chapter in my life. The way I look at it, authors have given me so much in life just by writing books. This is one way for me to give back to them. I know it can help tremendously!

PW

  • I started because I love to read and the amount of money I was spending on books, I decided to start reviewing when I noticed a request for reviewers from one of the online sites. The big draw for me was the free books. I still spend over $100 a month for books, but it is not close to what it used to be. Another advantage is that I get to read authors I may not have looked at before.

Livia Ellis

  • Question #3 – where do you get your books from? What is your preferred method to acquire a book?

Cat Alley

  • There is a site, eReadrIQ.com. They send me an email daily with free books from Amazon. Other then that, I get them for beta reading or reviewing. I read all my books on my Kindle. I do however have a few authors that I will buy their kindle vs. but also buy a paperback for my personal library.

Samantha Truesdale

  • I get a fair amount of books from Amazon. I would say at least half of the books I receive are in exchange for an honest review. I also receive quite a few from Goodreads first reads giveaways.

DelSheree Gladden

  • I have several small press publishers that regularly send me their new books and put my into touch with the author. I really like this setup because I know the quality of the publishers.

PW

  • I too subscribe for the email re free books from Amazon. Of course there are free books I review, but I have purchased a few. There are a few authors I buy instead of review since I email back and forth with them sometimes. I also buy books at thrift stores, online, and at B&N. The book club I belong to also has a book exchange.

Livia Ellis

  • Question #4 – do you have a preference? Is there anything on your “I will not read this, not even if the paid me” list?

Cat Alley

  • Anything scary or historical I won’t read. Other than that, I like a synopsis of the book. I have learned in this process to ask for those as I have gotten books before that I have not liked and had I had the synopsis, I would have known that from the beginning.

Samantha Truesdale

  • I will read almost anything. I’m not a huge fan of sci-fi or history, but I have still read them.

DelSheree Gladden

  • My first love is YA. I’ll read just about any subgenre of YA, but I am a pretty eclectic reader. The only things I will NOT read are erotics, self-help, and political books.

PW

  • I don’t read a lot of historical unless I really like the blurb, I prefer not to review YA though I do read a few books. I am a fairly eclectic reader with a bent toward erotica, sci-fi, and fantasy.

Livia Ellis

  • Question #5 – I’m guessing you are asked to read/review more books than you could ever get through. What is the best approach a writer can use when asking you to read/review their book?

PW

  • I have reviewed a few books for a couple of authors I am friendly with, but I don’t do it often. Two of the three sites I review for has lists that the reviewers can choose from and the other will send a book depending on the number they get, though a couple of times I had to request a different book, as I had reviewed for another site. One of the sites though, we can follow the entire series if we want, which sometimes gets a small backlog if a lot come in at once. One site allows authors to request a specific reviewer if they want to. I have also been asked to review a couple of print books through these sites as well. One thing an author needs to understand when asking me to review a book is that I will give an honest assessment of what I think regardless of my relationship with them.

Cat Alley

  • I am still fairly new at this so I don’t have a long list of people I read for nor am I in that many groups to obtain a large amount of books. So I tend to have free time for my own interests in reading. When someone approaches me for the first time I usually want to know how they found me, how much they write and what they write. Then I decide if I want to read for them. Usually once, I read for someone, I get repeat performances…

DelSheree Gladden

  • Be thorough. I’m much more likely to be interested in a book if they send me a summary of the book and a little info about themselves. If all I get is a title, and I have to go look it up on Amazon to see what the book is about, I’m much less likely to review. I’m incredibly busy with school and family that I don’t always have time to do that. Plus, my blog is booked six months out, so I’m being very selective lately.

Livia Ellis

  • Question #6 – What isn’t going to work? What advice would you give to an author that wants a review?

Cat Alley

  • Don’t make the reader pay for the book, if you are working with a new reader and you have a series and on book 2, offer the first book so the reviewer can get caught up. (I personally will turn away an offer if it is in the middle of a series without reading the others), and be nice.. no one is perfect. Ask a lot of questions from the reviewer about your book. That way if they did not like it, you can find out why, if it is truly something about your book, or if that person just doesn’t like “those kind” of books. Some people may not explain why they do not like a book. If you are looking for a beta reader, once they are done reading, schedule some face-to-face time with them… so you can get a true feeling of what they thought about your book. It is always good to have 3-5 beta readers you trust. (I personally like to beta read more then read/reviewing)

Samantha Truesdale

  • Don’t pay for reviews! Know that you don’t have to give away swag or anything to get reviews, although a copy of the book in exchange for a review is nice. There are plenty of readers out there that want to review your book just to do it. Be prepared because there is inevitably going to be someone that doesn’t give you that great of a review. It doesn’t mean that your book is a flop, it just means someone didn’t understand it like you meant them to.

DelSheree Gladden

  • Offering a free book in exchange for a review is expected, at least for me. The only books I buy are when it’s an author I know personally and want to support. As far as advice to authors, offer a giveaway along with a review. This is a great way to increase exposure and get more comments.

PW

  • I agree with Cat about series books. Reviewers like me expect the free book but that is all. Samantha is right about payment, I feel that puts the reviewer in a conflict especially if they don’t like the book. One rule of thumb, is always give constructive comments in that case. Don’t take it personally. Sometimes authors will do giveaways on blogs, then it is always nice if the person winning does a review as well.

Cat Alley

  • Thank you PW. I agree with all you said. Me personally I know a lot of authors that do contests and give a ways. It is a great way to get people involved. I personally do not participate as I don’t want to take the chance of getting the book away from someone who has not read it and who can become a potential fan. But that is a personal preference.

Leap of Faith: I’ve Self-Published

I never thought I’d self-publish. But I did. This week I stretched beyond my perceived technical limit, and figured it all out. My pet project has been rejected for the last time. I don’t know how many publishers I’ve submitted it to. They all love it. But they want it as a complete work and not in the twelve volumes I’ve divided it into. I don’t want it divided.I want it distributed in twelve different parts. Possibly more. Who knows? I love this story. I love the characters, how they develop, and the world they inhabit. By serializing it I have the ability to add as many volumes as I want. Especially now.

Each of my friends that has self-published promised me I wouldn’t regret it. Despite their encouragement, I did have a moments panic and a bit of hesitation as I worked at it this week. What am I most afraid of? That I’m too much of a perfectionist and there would be mistakes that I could only blame on myself. That no one would buy my book. That I’m really a rotten writer and there are a dozen people out there ready to give me one-star reviews. That I’ll have to put myself out there to market my book. It’s paralyzing the fear.

I own my lovely story. The only one that has any say is me. Talk about liberating.

So what do I do now? Please buy my book. It’s called Memoirs of a Gigolo. The story is about a young man that has come to the end of the party, he is on the edge of growing up, figuring out who he really is, and what truly matters to him.

Why I Love Jude Deveraux

I write romance for a few reasons. Mostly because I like watching two people fall in love before my eyes. I’m a bit of a voyeur in that way. I read my first romance back when I was about ten maybe eleven. It was discovered at the library where I spent a lot of my time. When I was too young to work, I went library after school for refuge. My love for books already existed. What I gained was an appreciation for quiet and the love of solitary pursuits. I read sci-fi, fantasy and romance.

During an on-line writing workshop I took a few years back, one of the participants jumped upon her ass-cheek-chaffing high horse when another participant asked her if her novel counted as romance. The shock! The outrage! The sycophantic falling over herself when I called her out, let her know I was (and quite proudly) a romance writer and that in fact it was a billion dollar business. Unbelievable. Coward was willing to trash the genre writer and her craft when she thought she was immune from criticism, but the second she’s asked to add a little of the proverbial shack to her yack, she’s got nuttin’.

People like to escape. Naughty pirates with billowing shirts help that along tremendously. Chances that you’re going to time-travel to the Scottish Highlands are probably zip. Thank god for the romance writers with enough imagination to help you get there courtesy a four-hundred-page novel. Lot’s of people read for intellectual persuit and entertainment value. They read Booker/Pulitzer/Noble worthy books. I read these books. They’re usually very good and not a little depressing. There is no reason to justify wanting to read for pleasure as there is no reason to justify wanting ot watch reality TV for pure entertainment.

My first romance novel was a Jude Deveraux and I absolutely fell in love with the Montgomery men. I had to have been ten at the time and I was absolutely in love. Probably the reason I’ve always liked the tall, dark and handsome types can be traced back to Jude Deveraux. If I ever get a chance to meet her I will make an ass out of myself. It will be my “I’m not worthy” moment.

Possibly the reason I enjoy writing series with interwoven elements is because of my hero Jude Deveraux. Each of my manuscripts contains extensive family trees and characters which tend to pop up in other peoples stories. I love this about Jude Deveraux’s work. I just love it. I like weaving a braid when writing a story. I love the subtle thread that appears here and then there. That moment when reading and the passing stranger is really that other character from another book.

I am unapologetic about loving writing romance. I love what I do.

All About Me! ME! Fabulous ME! – Or, Tackling the Author Bio

I don’t do well writing about myself. How am I supposed to condense all that is me into a paragraph without coming across as a monstrously self-absorbed jackass? My new publisher sent me a fill in the blank page that includes a brief biography. It’s not that I believe myself to be either uninteresting or even boring, I just don’t know what to say. I don’t suffer from an excess of modesty. I have no problem talking about me. I’ve bored more than one man rigid across a restaurant table detailing the in’s and out’s of what makes Livia so gosh darn great! But writing about myself… what am I supposed to put in a paragraph that will sum up the wonder that is me? What could anyone learn about me in a paragraph that would be of any use? Do I mention that I like older men, dislike attention-seekers (probably why I loathe writing about myself), and prefer pistachio ice-cream over peach? Do I confess that I like to knit, Jude Deveraux was my first hero, and that I’m terrified of actually finding success? What am I supposed to include? What shouldn’t I include? I tried a few things. Every time I put something down, it read like a personal add. So I went with that. This is what I came up with…

Were I to write a personal add about myself it would read as follows:

Blond. Blue. 5’6”. A lady never discloses her weight, but I’ve never had any complaints. I only run if I’m being chased by a gun wielding maniac, but I do love yoga. Bit of a shoe hound. Have had issues passing up handbags. Trying to learn to play the Irish harp. Enjoy both theater and concerts. Love to read fantasy and science fiction. Am not ashamed to admit I adore Star Trek. Have a picture of myself (dressed as a nun) and the late Patrick Swayze (dressed as a medieval warrior) in a frame (Yes – I did cry when he died). Perpetual student with advanced degrees that are mostly useless when seeking job opportunities outside academia. Vivid imagination. Sexually adventurous only on paper. I never know what to say when people end a conversation with ‘god bless’. Occasionally play the lottery – but generally only when I’m feeling really poor. Love to travel. Fluent French speaker. Seeks readers whom enjoy what I write.

Honestly… does this snippet of info about me make you want to rush out and buy my next book? Does it make you want to stalk me? Do I sound like a snot? Do I sound boring? If I really had to I could probably put down ten pages about me. But do I want to reveal that much about myself?

Writing Really is a Hard Business, Isn’t It?

The problem with wanting to be a professional writer, is that the writer has to act like a professional. That the process becomes more than about the writing. Writing for pay, doesn’t take the pleasure out of the process, but it makes it a business. The writer becomes the self-employed business person. I’m not much of a business person. Not even a little. In fact, there are many many many people who know me well whom would gladly attest to the fact I am the most incapable business person they’ve ever met. Which is why I find the business of writing so incredibly hard.

If I wanted to write, purely for my love of writing, then I would have all of the joy and none of the grief. But I want to make a career out of this love of mine. I’m not going to say that I’m unemployable, I just spend a little bit too much time in my own head to be of much use to anyone outside of the food service or retail industries. On the plus side, I’m academically gifted and have fallen into that great bastion of unrealized potential; academia.

To make a career out of something means treating it like a business. I suspect there are some writers out there that have tripped into success and the accompanying buckets of money, but I have yet to slip on that particular banana peel. I sort of hoped I would, but it hasn’t happened. At this point, if I do find success, it will be because I’ve worked like a stevedore and clung to my dream like a dragon guarding it’s hoard of gold.

I’ve worked hard to bring the quality of my writing up to a professional level. What I haven’t done is devote even a fraction of the time I’ve spent on my writing career to the business end of the equation. I’m coming to that late. In a sort of vague and disjointed way, I knew there was more to the business of writing than just the writing. But it all just seemed so complicated and boring. Why would I want to get out and tap-dance while singing my praises (two things I lack both the talent and proper clothing to do) when I could be at home with my friend the laptop living vicariously through my characters? I might not have ever come to it if I hadn’t been asked to give an opinion on my life as a writer still trying to make it.

During the course of doing a favor for a friend, an established writer that wanted to know what it was like out there in the trenches, I really had look at my writing career and what I’d done to get published. What was the most eyeopening thing of all, was that I’d done very little to get published. Beyond sending out submission packages and trying to get the attention of agents, I hadn’t done much. I suspect there are a lot of writers out there that could relate to this. I’d done as much as I thought I needed to, but had never really thought about what else I could be doing.

Writing is really only a part of what I need to do. In addition to writing well, I need to write what people want to read, create a brand, and market myself. The writing is the trickiest part. I could write the best story ever written about a dystopian future in which the female main character becomes the leader of a revolution fighting against the tyranny of a male dominated totalitarian regime, but that doesn’t mean anyone is going to want to read it, or, more importantly, that anyone is going to want to take the time to publish it (please do contact me if you’re interested in a story about a woman that takes up arms against the establishment – Everyone that’s read it thinks its brilliant). I should have gotten an MBA. Or, at the minimum, a degree in marketing.

To this end, I’m giving myself a crash course in marketing. I’m going to figure this business of writing out. I’m not certain if there is a secret knock, a whispered password, or I really do need to sleep with the right person (god help us both), but I will figure this out. I am neither a stupid nor an incompetent woman. Then maybe I’ll write a book about how to break into the publishing world.