The Two Scariest Words in Publishing – Synopsis and Outline

Emily Dickinson. She lived quietly. Wrote a few things between the beginning and the end.  Died. Had her brother and his lover publish her poems. Then became famous.  Personally I’d like to get published while I’m still alive. Fortune and glory isn’t really my goal. Telling a good story that people enjoy reading is. So, unlike Emily Dickinson, I’m putting what I have to offer out there.

I’m playing it safe and leaving no stone unturned. To that end I’ve self-published the first of a twelve part series –  Memoirs of a Gigolo, I’m signed with two small publishers – The Wild Rose Press and Liquid Silver Books, and I’m going to take a stab at once again trying to court an agent. This isn’t my first voyage of the damned – I’ve tried traveling this road before – I usually get hit by a couple of cars (big American made cars, not tiny little Japanese hybrids) then give up.

After a bit of email repartee with a friend that has not only an agent and a publisher, but also a couple of best sellers racked up on his score card and very little tolerance for my “incessant pissing and moaning” about the injustice of the publishing world when I refuse to “suck it up and play the game”, I’m going to try to tackle a synopsis and outline that might get me some airtime with an agent.

I’ve finished a manuscript that ticks every box for me. It’s topical. It’s well written. I’m passionate about the characters. It has commercial appeal. I love it. It’s YA dystopian with a Hunger Games meets 1984 vibe. I’m too paranoid to give up any details. I get like that when I really like something I’ve produced. I clutch my manuscript to my chest and start looking over my shoulder. I will say I’ve drawn extensively from my knowledge of ancient Persia and modern day Islamic nations, found a character that turns from a lump of coal into a diamond under pressure, and then added a healthy dose of the more things change the more they stay the same.  I think it’s worthy of publication. More than that. I think I have a break-out novel on my laptop. I’ve read what a lot of the publishers that deal strictly in YA have to offer and it stands up compared to other works.

So what next? I must confront the blank page and write a synopsis & outline. Then it’s time to open the proverbial kimono to the world to be told either yes, I have nice boobies or no, my bottom is flabby. Because that’s what it’s like.  As marvelous as I know my manuscript is, unfortunately I can’t walk into Simon & Schuster or Scholastic and hold a gun to the receptionists head until she calls an editor to disarm me. Even if she did call an editor and got them to come down to the lobby, I’d have to turn the gun on the editor and then I’d have to wait while they read my brilliant manuscript, my arm going numb from holding up the gun for so long… let’s just say it’s not done.

So I need to write a synopsis & outline. I really really really don’t want to. I never know what to write. How to condense 100k words into a couple of pages? It’s not like I haven’t tried. I even have a file filled with rejection letters from agents on my laptop. My famous writer friend that has no tolerance for my “whinging and f***ing moaning” doesn’t mind letting me know that he “sucked it up and f***ing did it”, so I have to too. He hated it. Everyone hates it. I have yet to find the writer, published or not, that finds either of these tasks less than daunting. But it has to be done. There is no way around it unless you’ve already proven yourself and the dynamic has shifted.

I’m no quitter, and I don’t really take rejection on the nose, but I’m not great at selling myself. If there was another way, I’d grab it. But I don’t think there is. So I’m off to write a synopsis and outline.

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4 thoughts on “The Two Scariest Words in Publishing – Synopsis and Outline

  1. 100 thousand words! OMG . . . how do you find the time???? But if it’s anything like the few thousand of yours I have read so far (even if it’s in a different genre) I’m sure you will succeed in the end. (We will both remember this post at the movie premiere!)
    With best wishes (and best, best, best of luck!!!!) – Katie

  2. Congrats on writing a novel of that size on spec.

    Why trad rather than indie? (You’ll still need to write the synopsis)
    Bits of your description above certainly wet the appetite – just keep doing that.
    If you’re too paranoid to talk to someone about the book, pretend… pick up a phone and tell the person who isn’t at the other end why they need to read your book in 30 seconds. Of course, the people who bug your phone will hear everything…

    • I don’t really know of any other way to write fiction than to push out the entire thing before I try to shop it. Does anyone sign fiction without the full being completed? I’m still playing on both sides of the traditional publishing and indie fence. The more I self publish, the more I like it. But it’s a LOT more work. Having an editor really does help a lot.

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